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Action Shot #16. Almost sightless, a hazard, but MASKED, I’m doing my part, Charlie says.<\/p><\/div>\n
Well, goodness knows we’re trying.\u00a0 No outsiders can come into our building, so Charlie brought his dog clipper over to cut my hair, tonsured as it has become.\u00a0 He does not take suggestions for a more\u00a0 subtle cut well.\u00a0 He has upgraded my Internet, so I can become a proper Zoom-er.\u00a0 No more my nattering away at statues, with an “unstable connection.”<\/p>\n
The seagulls have returned, and\u00a0 Charlie is trying to be one with them.\u00a0 They bob and preen and pay no attention to his sqwaa-ck sqwa-a-ackng.\u00a0 Neither do the invading pigeons.\u00a0 But a\u00a0 mezzanine lady shouted, “I wondered what kind of very big bird that was.” Hardly missing a sqwa-a-ack, Charlie called back, “I have a lot to learn.”<\/p>\n
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Besides the COVID19-related news and great graphics of the online NYT<\/strong>, I’ve spent my pandemic reading articles that help me make some sense of the chaos engulfing the world.<\/p>\n Lawrence Wright’s NYT essay<\/a> and his NY’er intervie<\/a>w are both about his research for and writing of The End of October,<\/strong> his just published, prescient novel about a pandemic\u00a0 that started with a virus in Asia.\u00a0 I learned that from history and science, we should have been less surprised and more ready.<\/p>\n Orhan Pamuk’s NYT essay<\/strong> about the classics of pandemic literature<\/a> is a great Cliff’s Notes, plus wise analysis.\u00a0 I am glad for his list and lessons and someday, when we are not living in and through this, I may read these, but not now.<\/p>\n Stephen King gives a great interview<\/a>\u00a0to David Marchese, who asks great questions.\u00a0 Interesting that Stephen King, who wrote about a pandemic in The Stand,<\/strong>\u00a0 was most surprised at how fast everything changed in real life, and thought having food, not fear, is most worrisome.<\/p>\n Every time I hear Trump say we are battling an invisible foe, which, he implies, we therefore cannot know,\u00a0 I silently shriek AARRGGHH! I recall\u00a0 Stephen Greenblatt’s NY’er article<\/strong> about “invisible bullets” or the atoms that Lucretius understood<\/a> were the pith of\u00a0 epidemics and recoil at the ignorance currently in Power.\u00a0 Then I read Tom Friedman’s conversation<\/strong> with Dov Seidman on leadership<\/a>.\u00a0 It\u00a0 was a gift, wise and pertinent, and I can breathe again.<\/p>\n Wolf Kahn<\/strong> died and a fresh look at the vibrant colors of his outdoors<\/a> makes sheltering-in-place in Spring a tad more tolerable.\u00a0 So did the work of other artists who rendered views from their windows<\/a>. And as I am profoundly one with my one room — and Charlie and a view of the Ship’s Canal — room-rating is fun, maybe more for the art and the color, though books on shelves are fun, if you can see the disheveled shelf of current reading.\u00a0 And I love that\u00a0while virtually testifyingDr. Fauci’s room<\/a> rated a 10.\u00a0 But then,\u00a0 he’s an all-purpose 10 in my book.\u00a0 (I found a picture of the room, but I couldn’t find the room-rating<\/a>, which I know I did not make up, though I would have if I had thought of it.)<\/p>\n OTHERWISE, Hope Jahren<\/strong>, whose memoir, Lab Girl<\/strong>, is among my all-time favorites,\u00a0 has new book, The Story of More: How We Got to Climate Change and Where We Go from Here.<\/strong>\u00a0 \u00a0It’s true; I’ll read anything she writes, but who better than a well-read, well-traveled paleo-botanist researcher and teacher to think about the future?\u00a0 I’ve just started the book and it’s already good, but anticipation is much of the fun.<\/p>\n Will McGrath’s memoir, Everything Lost is Found Again: 4 Seasons in Lesotho<\/strong> was fun because friend Mary’s stories introduced me to Lesotho some years ago.\u00a0 I loved living two places for 35 years and was probably predisposed to like this book, which I did, but then, there on the last line of the author’s acknowledgements was thanks to Bill and [my friend] Mary.\u00a0 Next I have Bill Holm’s memoi<\/strong>r of his life in Iceland, The Windows of Brimnes: An American in Iceland.\u00a0<\/strong><\/p>\n Action Shot #17. Charlie thinks we’re social-distancing, but I am going rogue. Hee-hee.<\/p><\/div>\n First freedom stop after sheltering-in-place is lifted a\u00a0 bit: a latte — when the sun is out and umbrella-ed tables can be set far enough apart.\u00a0 Until then, read about coffee in the world, especially the third paragraph from the end which notes\u00a0 Todd Caspersen’s Equal Exchange coffee<\/a> company and all they are doing right.\u00a0 Spilling all: Todd is Millie’s son and one of Charlie’s almost cousins from Southeast Minneapolis. Best neighborhood ever.<\/p>\n And don’t miss the sheep in the vineyard on YouTube.\u00a0 Six hours of pleasant.<\/p>\n <\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" We are one with “social distancing” and “shelter in place”, with boxed meals set outside the door, Charlie’s workshop masks at the ready, and my 2′ poker still good for pushing buttons and\u00a0 better than anything else for keeping people … Continue reading ![\"\"](\"http:\/\/roseledgebooks.com\/blog\/wp-content\/uploads\/2020\/05\/20200409_104613-1024x576.jpg\")