SUMMER HAS COME IN (and so has a webcam)

Roseledge Books is open. Summer has started, fleece hoodies and blankies over the knees on the porch during inaugural wine not withstanding.

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Fig. #21. The only Roseledge Books sign “before” Charlie fixed the winter stressed message on his way to Boston’s Logan Airport. The “after” sign is in place, but you’ll have to visit to see it because Charlie didn’t have time to take a picture.

And Roseledge Books, always in the forefront, now has a webcam. The webcam picture of the harbor from atop Paul Wellstone (a biography by Bill Lofy)* on my desk at Roseledge Books is quite exciting.

Already a comment (okay, a complaint) from friend, Jerry:
“The picture on the webcam doesn’t move,” she noted.
No, it doesn’t. You have to refresh it every five seconds to get the next picture, a little like slow animation. Think of it as “relaxed animation” which is, to me, a particular joy of Maine. (But then I am so slow, I give new meaning to the verb “to turtle.”
“I see.”
——————–


*Bill Lohy’s Paul Wellstone
is one of several books specially selected, requested, reserved, and now stacked for the webcam and for Roseledge Books customers (in this case for Bob with whom I miss Paul Wellstone) who may or may not be back this year. It is atop Ronald Blythe’s Akenfield for Mary with whom I earlier loved Lillian Beckwith’s books about her years with the crofters on the Hebrides (e.g. The Sea for Breakfast). Malcolm Gladwell’s The Tipping Point is next, a book for Elizabeth’s second-year-in-college gift after James Watson’s The Double Helix last year, and finally Suzanne Stremper Shea’s Shelf Life, a book about bookstores for the group that comes each summer and asks for a Roseledge Books withdrawal read. (By Chapter 9, Sheridan Hay’s The Secret of Lost Things became more an English major’s novel than a bookstore read.) I love thinking about the readers that special request shelves suggest are near.

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TYING UP THE “NOTS” EXPLAINED, MAYBE

“What’s up with Figure #20?” a friend asked.

(Figure #20 is repeated below.)
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Fig. #20. This is not Maine, but Charlie lives within a camera’s eye of Mt. Rainier (Seattle), he takes a great picture, and he includes a little big water.

Well I cleverly linked the “not” buying of books to the “knot” tying of sailors everywhere, including Tenants Harbor. Then I used the picture of Mt. Rainier, the only picture I had from Charlie that was “not” Maine.

“Weird.”

Subtle

“Remote.”

Nuanced.

Third party intervener, “It’s a stretch.”

Okay.

“Then how about “little big water” in the caption? Is that somehow linked to Little Big Horn?”

That’s a thought, but no.The “big water” refers to the ocean (I’m sure I’ve heard or read “big water” so used) and the “little” refers both to Puget Sound — a little part of the Pacific Ocean next to which lies Seattle — and to the part of Charlie’s picture that Is ocean compared to the part that Is Mt. Rainier.

“Huh.”

Being clever is tricky business.

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TYING UP THE “NOTS”

How many pages in a book do you read before you decide to quit? Friend Jerry stops after the first page if she doesn’t want to read the writing. She gives books I recommend twenty pages before she decides, once again, that our tastes differ. Years ago, a friend with whom I exchanged books noted that I must have liked a book if the first coffee stain did not appear until page 50.

Now I usually stop at 50 pages if I don‘t like a book, but I kept reading to page 273 (of 511 pages) in John Connelly’s The Unquiet because it was a mystery set in Maine with (I think) a series P.I., Charlie Parker, based in Portland and a NYTimes Bestseller to boot. Surely Roseledge Books should have this. But of the idea of Maine, there was no there there (with apologies to Gertrude Stein on Oakland, CA). Characters are Mainers in name only and the Maine terrain reads like a guidebook embellished by a visit, e.g. the breakfast crowd in The Porthole in Portland or the visit to Supermax in Warren. So Roseledge Books will not have this as a “Maine” book, but maybe I ought to have it as a mystery just to enjoy the argument with a reader who differs.

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Fig. #20. This is not Maine, but Charlie lives within a camera’s eye of Mt. Rainier (Seattle), he takes a great picture, and he does include a little big water.

Roseledge Books will not have April Smith’s North of Montana. The book was okay, but not special enough to spend time reading about her or Los Angeles. (Montana of the title is an avenue in Los Angeles. I really like the real Montana. Where are you Jamie Lee Harrison?) FBI agent Ana Grey was compared [by NYT Book Review] to Sue Grafton’s Kinsey Millhone, and I’m not that wild about Ms. Millhone either. Maybe it’s the evidence presented in the cases; I like obscure records and aberrant flow of information. Thanks to my sister’s introduction, Michael Connelly’s Harry Bosch has LA covered for me, but few Roseledge Books readers ask for Pacific Ocean seaport reads, though if I have them, they sometimes buy them, e.g. Paul Gauguin’s Letters from the South Seas, Captain Bligh’s Log of the HMS Bounty 1787-1789, Dana Stabenow’s Midnight Come Again, an Alaskan crabbing mystery.

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SPIES IN THE HARBOR?, CONT’D.

Spies operate best in murk. It’s best to be visually prepared.

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Fig. #19. Spot any spies lurking in murky Tenants Harbor?

Murky lurkers. I like it.

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SPIES IN THE HARBOR?

More fear-dredging from Homeland Security this last week. Now the potential evil-doers are unobserved coastal boaters at rest in harbors. So Tenants Harbor boaters are to watch their water-borne neighbors and be alert for — who knows what?

This is craziness — and an invasion of privacy worse than any village gossip. Fortunately, Roseledge Books has two new paperback spy novels to bring up to date the spy behavior of Phoebe Atwood Taylor, Allen Furst, and Patrick O’Brien and chairs on the front lawn in which you can sit, read about spies, and watch the harbor. Multitasking alert.

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Fig. #18. Tenants Harbor tide is on the way out and always fun to ponder. Can you spot the spies?

I am so ready to enjoy this view as I read David Ignatius’ Body of Lies. He “understands the nuances of [the CIA] trade (says George Tenet) and “the world of CIA operations in the Middle East” (says Seymour Hersh). I like him after reading his “seminal” spy novel set in Beirut of the early ‘80’s.

The other new paperback spy story I’m looking forward to is Alex Berenson’s The Faithful Spy, which is set among al-Qaeda in the mountains of Pakistan. It was a NYTimes Bestseller, but even better for quality control, it won the Edgar Award.

It’s best to know more about whatever we are expected to be afraid of — and have a good time, too. But Mainers don’t need much more knowing. In my 35+ years loving Maine, I have heard tell of German spies leaving one-way footprints in harbors of Mt. Desert as their rubber dinghies float back out on the tide, and nearer the St. George Peninsula, of rum-runners during Prohibition, drug-runners in the early ’80’s, and ever vigilant Secret Service helicopters protecting the first President Bush when he vacationed in Kennebunkport. Good new stories are always a plus, though.

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GROUP STUDIES

I didn’t expect to like Swedish police detective, Kurt Wallender, but Kathy liked him and she doesn’t like bleak mysteries either, so I read Henning Mankell’s One Step Behind, and — hark! — I liked him. He’s not bleak, but he’s no bundle of peppiness, either. He’s dogged, smart, outraged, avoiding his diabetes, willing to risk new friends, and a really good group leader.

This matters because there are many too many groups in the world, maybe especially in Minnesota or in my lifetime, and many too few people who know how to lead. All of a sudden, I have not one, but two examples of very good and very different group leaders in Kurt Wallender and, an old favorite hero whose latest mystery I just finished, Jack Reacher.

Reacher, in Lee Child’s Bad Luck and Trouble, joins his former military team in a search for the killers of their former colleagues. This is a group of peers, almost interchangeable, hugely trained, and well-experienced nine years earlier. Reacher understands how and when to stand back, take charge or join in.

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Fig. #16. Looks like a peer group (of lobster buoys?) preparing a next move.

Kurt Wallander leads his police squad to a successful conclusion in a case that offers no obvious clues, had a hard-to-figure-out motivation, and gets him in hot water with his department leader, regional and national authorities, and members of the public. This is a meshed group of people who bring different experiences and qualities under Wallender’s direction to the solving of their shared cases.

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Fig. #17. A meshed group of rocks makes a strong wall.

Who knew that group anything might be interesting? Maybe these should be case studies for a management wannabe.

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RETURNING CHARACTERS

No, “returning characters” does not refer to Charlie and me, even though Memorial Day, our “returning” weekend, is looming large.

Annette guessed that “returning characters” were migratory birds, and she forwarded a possibly great Birds of Maine book (Stan Tekiela’s Birds of Maine Field Guide) which is good because Roseledge Books only has a picture-less guide to Maine places where birds might be. But that wasn’t what I meant either.

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Fig. #15. The tide is a favorite “returning character” and so are the ribs of the (ship) “wrecks” that show at low tide.

Instead “returning characters” refers to the main characters in favorite series, two of which have just reappeared in a latest paperback edition.

I just finished and really liked Peter Spiegelman’s Red Cat, the latest John March paperback mystery. I like John March. I like his decisions, dialogue, NYC detail, and I like author Spiegelman’s continuing background of family, finance, friendships, maybe especially finance. Since Paul Erdman died, I’ve had no one so able to teach me about finance through fiction, and learning about money is part of knowing how the world works — my most major reading goal.

I’m reading Lee Child’s Bad Luck and Trouble very slowly. Jack Reacher may be my favorite returning character, and I don’t want it to end too soon. I love working through his decisions with him, and I love learning a million details about whatever is the featured place of that adventure. This time it’s a group effort set (so far) in Los Angeles.

But I just couldn’t stay interested in the Richard Jury crowd in Martha Grimes’ Dust, though I have liked them until now. And Millie and Kathy both thought Tony Hillerman’s The Shape Shifter, his latest paperback with Jim Chee and Joe Leaphorn, was a little less. So were the last two Stephanie Plum “numbers” by Janet Evanovich. I thought each needed one more escapade, and it’s time to settle the Joe/Ranger issue. Do authors get bored with their characters after a while? I think I remember John Sanford saying he did. Do readers? I do.

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WHAT IS A MAINE BOOK?

A Maine book has to have within it whatever the reader knows Maine to be. I don’t know if it’s better for the book be an anticipatory read, a withdrawal read, or a reminder that “away” places of the heart exist, even in the midst of Minnesota snowstorms.

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Fig. #12. A Maine book needs the big picture.

Kathy mentioned that author Julia Spencer-Fleming lives in ME, but the stories with a female Episcopalian priest detective take place in upstate NY. (She’s also won a lot of mystery writer awards and has a blurb from Lee Child, both pluses.) Definitely worth a try.
Spencer-Fleming, Julia. All Mortal Flesh. St. Martin’s Press, 2006

I am not extending the lives-in-Maine criterion to Nicholson Baker who has a new book out about WW II drawn from stories in his rescued newspapers and, I think I read, now lives in South Berwick, ME, even if South Berwick was the home of Sarah Orne Jewett who surely set her classic novella, The Country of the Pointed Firsin Tenants Harbor.

My niece is reading a Dennis Lehane mystery that mentions Maine, which is good, but she didn’t include the title. A ME-mention is a good reason for Roseledge Books to have that particular title in books or series set elsewhere.

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Fig. #13. A Maine book needs details. Great yarn colors, too.

Connolly, John. The Unquiet. NY: Pocket Star Books, 2007
I know from the NYTimes Bestseller List that a Maine PI is the series character, and I’m guessing that the mystery is mostly set in ME, even though author John Connolly lives in Dublin, Ireland.

Tim sent me the 2007 Annual Report of the Town of St. George, Maine, the Mainest book I know, and it is the perfect reminder of names, deaths, and taxes paid and that soon I’ll be back in Tenants Harbor for the summer.

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Fig. #14. A really good Maine book needs a reminder of perfect summer days (especially during this April night’s Minnesota snowstorm), e.g. Roseledge Books from Tenants Harbor.

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CATCHING UP #1

“Enough Iceland.”
“Why Iceland?”

“More pictures.”
“I like the pictures.”

“Did Charlie take all the pictures?” Yes.

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Fig. #11. North Atlantic anywhere in spirit; Marshall Point Lighthouse in fact.

Okay, I get the idea. I’m through with Iceland — for the moment.*

Of the Iceland books I just read, David Gibbins’ Crusader Gold is the only must purchase for Roseledge Books. It REALLY covers the North Atlantic and has a nugget in the Notes which ties it to Tenants Harbor because TH is on Penobscot Bay. I’m not going to say more than that about that. Yes, it has Notes, which makes sense when a PhD in Archaeology decides to write a novel. I love this book for it’s balance of documentation and speculation.

*This holds only until the book read and reviewed by commenter Mary Wagner is available in paperback. Any mention of the Irish priests in Iceland — before the Vikings? — is a must read.

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DO YOU SEE WHAT I SEE?

Art is everywhere around. Artists are everywhere around, too. Maybe it’s something in the air or the light or the water or the spare, but finest-kind, [sic] lifestyle or the eyes of willing beholders, or something else, but art is part of everyday life in Tenants Harbor. Okay, and Greater St. George, too.

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Figure #9. Lobster buoys, yes. But also a hooked rug pattern?

At the moment, here in Minnesota, I can think of two books that illustrate the point. The first is Monhegan, the Artists’ Island, edited by Will and Jane Curtis. Greater St. George includes Monhegan because the ferry leaves from Port Clyde. Monhegan is an artists’ island because a lot of artists have and do live there. It is a wonderful place where people sit on the rocks and paint the water then move to the schoolhouse lawn and applaud the sunset. Monhegan, The Artists’ Island is a big, handsome book that tells the story of the Island with local art, usually paintings, used to make whatever points need making.

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Figure #10. Marshall Point Rocks and Wildflowers, yes. But also a Shetland gray wool sweater with a spiky gold/green border and sea blue neck ribbing?

The other book with everyday art is publisher David Godine’s edition of The Country of the Pointed Firs, with black and white drawings by Douglas Alvord. I know a Mainer who is sure he knows the people in the drawings. Sometimes — rarely — he is more sure than right, but I like the idea too much to quibble.

Monhegan, the Artists’ Island. Edited by Will and Jane Curtis. Camden, ME: Down East Publications

Jewett, Sarah Orne. The Country of the Pointed Firs Drawings by Douglas Alvord. Jaffrey, NH: David R. Godine, Publisher

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